A cooling winter night, the high humidity content heavy on my heart. I imagine walking down a narrow mossy street. The fog will part for me. The water molecules will bow their crooked heads. I was born to be the mistress of water, and water is what I am, flexible, changing, and volatile. Under fluorescent lights water curls in steam off my skin, collects in tiny beads like a crown across my hair. Red and gold fish swim through my capillaries and flash their tails across my irises. I will hold the world together and I will tear it apart. Somewhere far away from here, millions of gallons of water vapor float quietly across the face of the universe.
Month: February 2014
The Difference Between “Lonely” and “Alone”
My 21st birthday is coming up this week, and I was trying to think of a celebratory event that I might enjoy. Clubbing? Out of the question. The science museum? Somehow I doubt most people would enjoy playing with samples of different types of oil in the same way I would.
There remained inviting people on my regular, ideal Saturday night, which involves drinking coffee while reading poetry and medical literature at the discount bookstore, then heading home for a TV dinner, Coke, and an old animated movie. I then realized that, not only would a lot of people not enjoy this way of spending their Saturday night, but my enjoyment of it would be ruined, because I would no longer be alone.
During my first two years of college, I told everyone (myself included) that anything else could happen during the course of the week, anything at all, and I’d still be okay as long as I had those precious few hours on Saturday to myself. But as I began to make friends and become more heavily involved in clubs and activities that required my Saturday nights, as well, to be taken up, I realized that my “alone time” would no longer be feasible.
Let’s face it, college is not built for people who like to spend extended amounts of time alone. I live on campus, which means that I am rarely more than fifteen feet away from another person at any given time. Eat dinner in your room, or say that you want to spend Saturday night by yourself, and suddenly you’re being “antisocial” and people are “concerned.” Pfft.
There’s also a more dangerous side to being someone who recharges by spending time alone; sometimes you don’t want to be alone. The fact is, as much as I hate to admit it, humans are meant to live in groups. We evolved from creatures who live in groups, we have created elaborate cities and countries to ensure that we do live in groups, and we get lonely when we spend too much time without physical or emotional contact. (Of course, there are exceptions, but this is the experience of the average person.)
I am a couple days shy of being 21 and I am still trying to figure out how to successfully navigate social interactions involving being alone and being lonely. If only one could quantitate the exact amount of time needed alone without veering into lonely territory. If only it were acceptable to simply say, “Hey, I don’t feel like hanging out with anyone tonight,” or “Hey, can you come give me a hug?”
Last night, I walked out to the edge of campus and sat on the swing set, gazing into the frightening, beautiful, vast city lights of Houston, and I felt very, very small and very lonely. Experience has taught me that even the most reliable people will never be there for you 100% of the time, so at times like that you have to either reach inward for some vestige of strength or turn outward to religion or philosophy for help. I’ve never been very good at following organized religion. My relationship with God is complex, changing, and not easily labeled or constrained (as I’ve learned, I am far from the only young person who feels like this.)
So, instead, I stared very hard at the lights until they began to blur (I’m nearsighted, so it wasn’t very hard) and pretended that I was floating through outer space. My feet were resting on the muddy ground, and the more I concentrated, the more I could feel a slight hum, some combination of my pulse and a nearby generator, perhaps. There was not another person to be seen, but I could still feel their presence, in the hospitals and in the nearby dorm building, and it gave me the odd feeling of being in two places at once, on Earth and in the furthest reaches of the universe, simultaneously. I looked down at my phone, which I often feel is my lifeline, and put it aside.
I’ve often tried to describe the feeling of aloneness and silence that I find so rejuvenating. I suppose it has something to do with balance. There are definitely times when I need to be around people and hug them and talk to them, and there are times when I do not need anyone else, not at all. I feel like many other people are the same way. It’s just a question of how much of each is necessary for our individual personalities. The balance is not easy to find, but balancing anything is never easy.
In the few minutes I had left before I had to go back to my work, I pushed off from the ground and began to swing.
First Date
What’s funny is this could be anyplace else
in the world, this could be any time,
really, but it isn’t, it isn’t anywhere else
except for right here, and that’s just her luck,
isn’t it. Three almost four years of waiting
for him to ask her out and when he finally does
it’s a warm autumn day and the coffee shop is
too crowded so they sit outside, and that’s when it happens.
Is it bad that the first thing she thinks when it does happen
is Great, now my skirt is ruined? Probably not,
because it is, he was drinking a strawberry Italian soda
I never drink coffee he said it stains my teeth
and now it’s all over her skirt, he’s knocked it over
and it’s red and cool and sticky like drying blood,
she can smell the sweetness and it makes her dizzy
her mother was right
Never trust boys they’ll do anything
She looks up and he is grayish white, are you
okay, but he half stands up and she sees the question
is irrelevant, kind of like the question he
asked her after math class on Tuesday
Would you like to have coffee sometime he said
I never drink coffee it stains my teeth
but I hear you love the stuff he said
She still has the homework from that class in her backpack,
she hasn’t gotten around to doing it yet,
there is something black on his sweater and
it’s heavy and spreading and he reminds her
of someone she’s seen before
maybe in a war movie or something and then he falls he’s like
a crumpled origami crane and
Do you remember chemistry lab freshman year
It’s a thing that could have happened to anyone
but never her never this and there is blood and soda all over
the ground and she slips on her
origami differentials her flat sandals are wet
I loved how you were so excited about
everything we did he said Be careful
she said They’ve only got one thing on their
minds
Maybe if she runs she’ll have a better chance
so she runs towards the coffee shop but her
mother was right
these sandals are too cheap you’ll
get blisters
She falls and the pavement is cool under her knees
and it’s not so much pain as just pressure,
it swarms to her upper back and thrums and thrums
her heart’s been cut in half
I wanted to tell you how beautiful you were
but I never got a chance he said
Buildings hanging in the brassy darkness
“Falling” – James Dickey
A 29-year-old stewardess fell ... to her death tonight when she was swept through an emergency door that suddenly sprang open ... The body ... was found ... three hours after the accident. —New York Times The states when they black out and lie there rolling when they turn To something transcontinental move by drawing moonlight out of the great One-sided stone hung off the starboard wingtip some sleeper next to An engine is groaning for coffee and there is faintly coming in Somewhere the vast beast-whistle of space. In the galley with its racks Of trays she rummages for a blanket and moves in her slim tailored Uniform to pin it over the cry at the top of the door. As though she blew The door down with a silent blast from her lungs frozen she is black Out finding herself with the plane nowhere and her body taking by the throat The undying cry of the void falling living beginning to be something That no one has ever been and lived through screaming without enough air Still neat lipsticked stockinged girdled by regulation her hat Still on her arms and legs in no world and yet spaced also strangely With utter placid rightness on thin air taking her time she holds it In many places and now, still thousands of feet from her death she seems To slow she develops interest she turns in her maneuverable body To watch it. She is hung high up in the overwhelming middle of things in her Self in low body-whistling wrapped intensely in all her dark dance-weight Coming down from a marvellous leap with the delaying, dumfounding ease Of a dream of being drawn like endless moonlight to the harvest soil Of a central state of one’s country with a great gradual warmth coming Over her floating finding more and more breath in what she has been using For breath as the levels become more human seeing clouds placed honestly Below her left and right riding slowly toward them she clasps it all To her and can hang her hands and feet in it in peculiar ways and Her eyes opened wide by wind, can open her mouth as wide wider and suck All the heat from the cornfields can go down on her back with a feeling Of stupendous pillows stacked under her and can turn turn as to someone In bed smile, understood in darkness can go away slant slide Off tumbling into the emblem of a bird with its wings half-spread Or whirl madly on herself in endless gymnastics in the growing warmth Of wheatfields rising toward the harvest moon. There is time to live In superhuman health seeing mortal unreachable lights far down seeing An ultimate highway with one late priceless car probing it arriving In a square town and off her starboard arm the glitter of water catches The moon by its one shaken side scaled, roaming silver My God it is good And evil lying in one after another of all the positions for love Making dancing sleeping and now cloud wisps at her no Raincoat no matter all small towns brokenly brighter from inside Cloud she walks over them like rain bursts out to behold a Greyhound Bus shooting light through its sides it is the signal to go straight Down like a glorious diver then feet first her skirt stripped beautifully Up her face in fear-scented cloths her legs deliriously bare then Arms out she slow-rolls over steadies out waits for something great To take control of her trembles near feathers planes head-down The quick movements of bird-necks turning her head gold eyes the insight- eyesight of owls blazing into the hencoops a taste for chicken overwhelming Her the long-range vision of hawks enlarging all human lights of cars Freight trains looped bridges enlarging the moon racing slowly Through all the curves of a river all the darks of the midwest blazing From above. A rabbit in a bush turns white the smothering chickens Huddle for over them there is still time for something to live With the streaming half-idea of a long stoop a hurtling a fall That is controlled that plummets as it wills turns gravity Into a new condition, showing its other side like a moon shining New Powers there is still time to live on a breath made of nothing But the whole night time for her to remember to arrange her skirt Like a diagram of a bat tightly it guides her she has this flying-skin Made of garments and there are also those sky-divers on TV sailing In sunlight smiling under their goggles swapping batons back and forth And He who jumped without a chute and was handed one by a diving Buddy. She looks for her grinning companion white teeth nowhere She is screaming singing hymns her thin human wings spread out From her neat shoulders the air beast-crooning to her warbling And she can no longer behold the huge partial form of the world now She is watching her country lose its evoked master shape watching it lose And gain get back its houses and peoples watching it bring up Its local lights single homes lamps on barn roofs if she fell Into water she might live like a diver cleaving perfect plunge Into another heavy silver unbreathable slowing saving Element: there is water there is time to perfect all the fine Points of diving feet together toes pointed hands shaped right To insert her into water like a needle to come out healthily dripping And be handed a Coca-Cola there they are there are the waters Of life the moon packed and coiled in a reservoir so let me begin To plane across the night air of Kansas opening my eyes superhumanly Bright to the damned moon opening the natural wings of my jacket By Don Loper moving like a hunting owl toward the glitter of water One cannot just fall just tumble screaming all that time one must use It she is now through with all through all clouds damp hair Straightened the last wisp of fog pulled apart on her face like wool revealing New darks new progressions of headlights along dirt roads from chaos And night a gradual warming a new-made, inevitable world of one’s own Country a great stone of light in its waiting waters hold hold out For water: who knows when what correct young woman must take up her body And fly and head for the moon-crazed inner eye of midwest imprisoned Water stored up for her for years the arms of her jacket slipping Air up her sleeves to go all over her? What final things can be said Of one who starts her sheerly in her body in the high middle of night Air to track down water like a rabbit where it lies like life itself Off to the right in Kansas? She goes toward the blazing-bare lake Her skirts neat her hands and face warmed more and more by the air Rising from pastures of beans and under her under chenille bedspreads The farm girls are feeling the goddess in them struggle and rise brooding On the scratch-shining posts of the bed dreaming of female signs Of the moon male blood like iron of what is really said by the moan Of airliners passing over them at dead of midwest midnight passing Over brush fires burning out in silence on little hills and will wake To see the woman they should be struggling on the rooftree to become Stars: for her the ground is closer water is nearer she passes It then banks turns her sleeves fluttering differently as she rolls Out to face the east, where the sun shall come up from wheatfields she must Do something with water fly to it fall in it drink it rise From it but there is none left upon earth the clouds have drunk it back The plants have sucked it down there are standing toward her only The common fields of death she comes back from flying to falling Returns to a powerful cry the silent scream with which she blew down The coupled door of the airliner nearly nearly losing hold Of what she has done remembers remembers the shape at the heart Of cloud fashionably swirling remembers she still has time to die Beyond explanation. Let her now take off her hat in summer air the contour Of cornfields and have enough time to kick off her one remaining Shoe with the toes of the other foot to unhook her stockings With calm fingers, noting how fatally easy it is to undress in midair Near death when the body will assume without effort any position Except the one that will sustain it enable it to rise live Not die nine farms hover close widen eight of them separate, leaving One in the middle then the fields of that farm do the same there is no Way to back off from her chosen ground but she sheds the jacket With its silver sad impotent wings sheds the bat’s guiding tailpiece Of her skirt the lightning-charged clinging of her blouse the intimate Inner flying-garment of her slip in which she rides like the holy ghost Of a virgin sheds the long windsocks of her stockings absurd Brassiere then feels the girdle required by regulations squirming Off her: no longer monobuttocked she feels the girdle flutter shake In her hand and float upward her clothes rising off her ascending Into cloud and fights away from her head the last sharp dangerous shoe Like a dumb bird and now will drop in SOON now will drop In like this the greatest thing that ever came to Kansas down from all Heights all levels of American breath layered in the lungs from the frail Chill of space to the loam where extinction slumbers in corn tassels thickly And breathes like rich farmers counting: will come along them after Her last superhuman act the last slow careful passing of her hands All over her unharmed body desired by every sleeper in his dream: Boys finding for the first time their loins filled with heart’s blood Widowed farmers whose hands float under light covers to find themselves Arisen at sunrise the splendid position of blood unearthly drawn Toward clouds all feel something pass over them as she passes Her palms over her long legs her small breasts and deeply between Her thighs her hair shot loose from all pins streaming in the wind Of her body let her come openly trying at the last second to land On her back This is it THIS All those who find her impressed In the soft loam gone down driven well into the image of her body The furrows for miles flowing in upon her where she lies very deep In her mortal outline in the earth as it is in cloud can tell nothing But that she is there inexplicable unquestionable and remember That something broke in them as well and began to live and die more When they walked for no reason into their fields to where the whole earth Caught her interrupted her maiden flight told her how to lie she cannot Turn go away cannot move cannot slide off it and assume another Position no sky-diver with any grin could save her hold her in his arms Plummet with her unfold above her his wedding silks she can no longer Mark the rain with whirling women that take the place of a dead wife Or the goddess in Norwegian farm girls or all the back-breaking whores Of Wichita. All the known air above her is not giving up quite one Breath it is all gone and yet not dead not anywhere else Quite lying still in the field on her back sensing the smells Of incessant growth try to lift her a little sight left in the corner Of one eye fading seeing something wave lies believing That she could have made it at the best part of her brief goddess State to water gone in headfirst come out smiling invulnerable Girl in a bathing-suit ad but she is lying like a sunbather at the last Of moonlight half-buried in her impact on the earth not far From a railroad trestle a water tank she could see if she could Raise her head from her modest hole with her clothes beginning To come down all over Kansas into bushes on the dewy sixth green Of a golf course one shoe her girdle coming down fantastically On a clothesline, where it belongs her blouse on a lightning rod: Lies in the fields in this field on her broken back as though on A cloud she cannot drop through while farmers sleepwalk without Their women from houses a walk like falling toward the far waters Of life in moonlight toward the dreamed eternal meaning of their farms Toward the flowering of the harvest in their hands that tragic cost Feels herself go go toward go outward breathes at last fully Not and tries less once tries tries AH, GOD—
February 16
Byssine: made of silk; having a silky or flaxlike appearance. Byssine: the sound of your blood as you lie on your bed with one arm hanging off the side. The tiny, steady noise it makes as it eases past your elbow joint, its hissing thump in your ears, the glissando from hypo to hyper, the flip and switch of each heart valve, eyelashes gold, erythrocytes silver. Icy and certain.
February 14: Are You There, X? It’s Me, Y
Forget the chocolate and put away the dark red envelopes.
You are a woman, damn it! You are a Texan. You
do not go barefoot. You have never been
pregnant unless it was a pregnancy
you did not know about, and knowing the biochemical
trickery that you do, that is entirely possible.
You are not half of a person, you do not need someone
to pay for your sushi, you might
need someone to pay for your textbooks,
that is a different story, and you wouldn’t
mind someone to pay for your sensible bras (36C)
and jeans (8 regular), but that is several
other issues, the least of which you are not really
an 8 anymore but a solid 10,
depending on the time of the month.
To think you secretly wanted the bra
with the pink and yellow polka dots instead of
the white one you eventually ended up buying. For shame.
Do not forget: test on Thursday, ice cream social
Friday night. Do not forget: you are loved even though
you do not want to be. It’s just not the kind of love
you were expecting and it comes from different places,
from the mud caked on the bottom of your shoes,
from the good night texts from your friends,
from the way the lead actor looks at you as he
steps down from the stage that you built.
You are woven into this coat of many colors,
yes, you, yes, even with the biliverdin pooled
under your skin.
Green: the color of healing. Red: the color of night.
Great Animation and Sneakers
All good opponents, speak! Hold or are you always!
The war with Mexico the economic plan
Saint alphabet schedule row 4 Arnold
Bad Communication jobs in Houston
Here! The birth of a person, the face of fame
who diets without exercising
a person standing at the edge of a seaside
God is the Messiah born
God is not dead God is love God is
Let yourself be the source of every blessing power and gas
[Sound of the crowd]
I look stupid when I run, when I smile
Still cessation in a sentence
Eternal happiness or unhappiness
happiness is a warm gun
Even the earth will be destroyed and the surrender of the universe
Warning! The Herald Angels Sing!
He woke me up again
woke up dizzy
I want to be a good
I want to be a good man a good person a good mom
Another strength SUFFERED Waals Interlude
a fatal communication error
Justice provides death
god provides justice law provides justice
Listen again to part of the chain, because I do not think I heard
Listen string part again, because I do not think they have heard all the way …
Hurry up to see the baby
hurry up with my damn croissants
Invader eve traffic
every invader zim episode
Linear film with surprising third intersection
linear regression
Traffic patterns V emerging self-organization
emerging markets emerging technologies emerging adulthood
Swing, to name a few
swing low sweet chariot
Springfield, or Bobby got caught in her hair
Black Hawk War, or, always feel good about yourself in the morning, or, we apologize for the inconvenience but you are going to leave now, or,
The dress is beautiful on you
Beautiful creatures, beautiful lyrics, beautiful pain lyrics
Bigger man, wide shoulders, man of steel
They also mourn who do not wear black.[1]
[1] Poem text retrieved by translating an alphabetical list of Sufjan Stevens’ song titles from English to Hebrew to French and back to English. Italicized portions retrieved from Google search results for words or phrases from the translated titles. Title retrieved from the song title “Out of Egypt, Into the Great Laugh of Mankind, And I Shake the Dirt from my Sandals as I Run” after it was run through http://ackuna.com/badtranslator
February 10
You slid your hands over my forearms and all I could think about was tune my heart to sing Thy grace, tune my heart, as your thumbs massaged the skin between my arm bones and over my veins, your hands callused from playing the guitar too much. I knew you must have bled for music. I could imagine blisters on those strong, thin fingers, like the blisters on my feet, the rising skin, I have danced too much and for too long, tune my heart, oh ebenezer, oh long and dangerous journey. Are you all right? Yes, probably. I’ll be okay in a second. There is always a rest between songs, between routines, but not enough for my heart to slow down, not enough for skin to heal. Blisters are adaptive; it’s better to thicken than to rupture, and we have learned that the hard way, you and I, through different routes but ending up at the same place. Who knew how sensitive my arms would be to each whorl and ridge on your thumbs. Who knew. Tune my heart.
January 6
It’s one of those days when your stomach hurts and you don’t know why.
You wake up and the pit of your stomach feels like it’s on fire, so you stumble downstairs and into the cafeteria and it’s the first thing you smell, that stench of eggs and bacon and oatmeal, and something comes into your eyes and into your throat even though you haven’t eaten in twelve hours so you have to run to the bathroom really quickly and crawl to a toilet. Afterwards, you sit hugging your knees and feeling like you never have before the air conditioning rumbling through your skin.
You pick your way through a bowl of oatmeal with cinnamon and apple slices and even though you’re starting to feel better the sight of your friend with a big plate of yogurt and berries sends your soul into a whole new spiral of nausea. You wonder if it’s something you did wrong and mentally count forward from your last period, the last time you had sex, the last time you drank. So many lasts including the last time you ever sat still.
I don’t know who you are and you certainly don’t know me but I’m willing to bet there’s someone you want to call when you’re feeling like this, some guy with skin brown like the cinnamon powder in your dirty bowl, or else a girl with pretty black hair and a mark where her violin sits under her chin all day long. You want her to put her cool hands on your face and with her ten gentle fingers turn your life around. You want to hear all about London and Reykjavik and the Pacific Ocean, the ocean you’ve never seen. You want to sit on a Mexican beach and look straight into the heart of Africa. You want to be free. You want to put your head back into the hollow right underneath his collarbone and hold onto him until the world stops spinning.
But you don’t, you don’t do any of those things, you go back up to your room and get your notebooks and computer and are in class right at 10:15 AM as the professor starts talking about hemoglobin and sickle cell and adaptations to higher climates. Maybe that’s why your stomach hurts so much, you think, if there’s enough oxygen left in your brain for thinking. It is a problem that will haunt you for as long as there is hydrochloric acid in your stomach and for as long as you sleep with your arms folded under your head, that is to say, alone.
February 5: Why I Am Not A Writer
I cling firmly to my belief that I am not a writer. How can I be, when there are so many more talented people than myself? … I can’t write these things. I don’t have the images buried somewhere in my memory bank. I cannot juxtapose light and dark the way my friends can. I cannot angle a brush correctly and I most certainly cannot run.
I often define myself in negatives, in terms of what I cannot do, because quite frankly that’s what I was taught to do. … Even though acting has destroyed a large part of that, some of it sticks around. I can see it in the stains on the bottom of my coffee cup. I can see it in the green flecks around the rim. I can remember the day last spring when he brought the cup back to me. I’m sorry, he said, and I looked into it and saw the colors swirled and caked together like blood. I didn’t know this was yours.
That’s how I learned about the true terror and beauty of life. That’s how I learned that the only way to live one’s life is at the edges of the known, the edges of the mastered concepts. The border between art and mathematics. That’s what I saw in the paint in my coffee cup. It took a long time to soak out the molecules but at last I succeeded, and I held the cup in my lavender hands and couldn’t believe that something could be so warm and alive and still be ceramic.
I am not a writer. I am not a scientist. I am barely a person. I am not my face, either, and I am not my blood type. I cannot figure out what I am, exactly, but I know it has something to do with coffee and the color green.
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